Vol. 10 (2001) Sufism music and society in Turkey and the Middle East Papers read at a conference held at the SRII, 27-29 November, 1997 eds. A. Hammarlund, T. Olsson & E. Özdalga 168 p., ISBN 0-7007-1148-1, 275 SEK Contents: Part I: Tasavvuf and music A. Schimmel. The role of music in Islamic mysticism. Part II: Method and aesthetics D. Österberg, General socio-musicological concepts: Expression, structure, and context A. Shiloah, Patterns of change and continuity in liturgical and ritual music. A. Hammarlund, Sacral, secular or sacred? An essay on music and aesthetic emancipation. Part III: Structure and evolution W. Feldman, Structure and evolution of the Mevlevi Ayin: the case of the third Selâm. I. Evrim Binbas, music and Samâ' of the Mavlaviyya in the Fifteenth and Sixteenth centuries: origins, ritual and formations. E. Seroussi, From the court and Tarikat to the synagogue: Ottoman art music and Hebrew sacred songs. Part IV: Change and continuity in the modern era C. Behar, The technical modernization of Turkish Sufi music: The case of the Durak O. Tekelioglu, An inner history of "Turkish music revolution"-demise of a music magazine. N. Karakayali, An introduction to the history of music debates in Turkey. N. Clayer, Tasavvuf, music and social change in the Balkans. Part V: Sufi music and the media J. During, Sufi music and rites in the era of mass reproduction techniques and culture.